Chuck Griffith is a film director and writer whose work examines identity, pressure, and power through focused psychological storytelling. His reel brings together scenes that show his control of performance, pacing, and tension. He builds stories around characters in conflict with modern systems, using clean composition, restrained movement, and sound design that drives emotional weight. His style leans on precision and behavioral detail, shaped by years spent studying how people think and respond under stress.

The reel features work from Ghost in the Glass, his recent psychological tech thriller currently in festival consideration, where he blends corporate unease with intimate character collapse. Griffith’s approach extends across his earlier films as well. Silicon Caesar, a corporate satire that premiered on Amazon, shows his interest in power structures and moral erosion. No Woman’s Face Remember, which screened in the Court Métrage program at Cannes, reflects his focus on memory and identity. Thank You, Good Night, his feature debut with Mark Hamill, underscores his long-standing attention to character-driven storytelling.

This page serves as an introduction to the tone and discipline he brings to directing. Each project highlights a consistent throughline in his work: psychological realism, sharp visual intention, and stories built from the pressure points that define who people become. His current slate includes short films, treatments for feature adaptations, and series development rooted in the same thematic precision that anchors the reel.